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Poetry in Stone
To preview our artists featured during the Fall ArtsFestival a fortnight celebration of all the creativity coursing through theTetons starting September 9th we peak into their workspaces, glimpsing the imprint of interiorenvironment on aesthetic expression.Tim Rein works in a two-story cedar barn surrounded by sculptures in various stages of becoming. Rock chips cover the floor and dust pyramids in places. Mount Taylor, framed by windows, presides over his process. . . .
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The Shape of Life
In essence, Ed Riddells studio is contained within his eyeor perhaps more broadly, his entire being. He knows the moment he sees a goodpicture. He knows the moment he makes a good picture. It all hinges on what hiseye sees and how what he sees makes him feel. In the moment, he asks himself:Why did I stop here? What am I feeling that made this seem important? If successful,the emotions he feels in the moment will rise in his viewers: goosebumps atbeauty, a smile of mystery.Do . . .
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A Sensitive, Sophisticated Eye
To talk about Lee Riddells studio, you must also talk about her home as they share the same site and genius. The downstairs doubles as his and her offices, a studio, gallery, and even, if visitors knock, a self-sufficient guest bedroom. Every detail represents a clear decision: the interior walls glide on tracks into new configurations; the galley kitchen could cater an art opening or whip up a quick lunch. Bookshelves crown the adjoining desks in rows of inspiration. Two walls of windows . . .
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A Collaborative Canvas
An interior is a collaborative canvas upon which many masters leave their mark: the architect, the builder, the designer, the technician. Concepts become concrete in domesticity and their contributions blend into the artistry of the whole experience of a home as a well-designed as it is well-loved.On Friday and Saturday, the talents who worked together to realize some of the finest homes in Jackson Hole will return to the sites of their inspiration and welcome visitors along a self-guided tour . . .
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A Process of Juxtapositions
With Fall Arts Festival in full swing, we are visiting our featured artists workspaces, glimpsing the imprint of interior environment on aesthetic expression.Much like her molten medium, Ashley Tudor flows between workspaces. Each phase of casting occupies a different venue, a progressive process bookended by stints in the studio inside her modern apartment.Each space has its own temperament: Sculpting starts in her immaculate studio, then migrates to the foundry where the molds are made . . .
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Art Fete
The artists we represent share our wonder with the natural world, and we, in turn, feel wonder in the presence of their work. We marvel at:Ed Riddells eloquent visual vocabulary.Ashley Tudors sophistication in bronze.Craig Spankies masterful layering of textures.Laura Hendricks eye for minimalism.Taylor Glenns wild elegance.Havoc Hendricks tactile attunement.Tim Reins poetry in stone.Lee Riddells innate sense of light, shape . . .
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Experiencing Design
We tend to describe our style in terms of juxtapositions: alpine elegance, casual contemporary. Building on the visual associations imbedded within each word, we present our aesthetic interpretation of what an elegant interior looks like within an alpine setting, or how laid-back modern pieces can feel when mindfully arranged. And yet, descriptions and images can only evoke so much; to fully understand an interior, you must experience it.Such is the motivation behind the first-ever Western Des . . .
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Modern Tradition
Traditions abound this time of year, but to avert any trace of rote celebration, we breathe newness into our holiday rituals. We embrace tradition while forging new customs. We test out new modes of merriment. The tree we trimmed in white last December will find cameos of color this Christmas. It is this concert of new memories and old, creativity and tradition that makes us sing this season and beyond.The inspired balance of contemporary and classic defines Verellen a collection born . . .
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Erudite Exhibition
The very definition of a bibliophile, the late financier Robert S. Pirie spent six decades building a matchless personal library. His collection, slated for auction next month at Sothebys, represents the finest archive of 16th and 17th century English literature in private hands. The auction exhibition we designed opens next week on Friday, November 27 at Sothebys in New York and runs through the auction dates, December 2-5.Robert Pirie surrounded himself with rare works, books a . . .
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Limitless Talent
Love architecture, be it ancient or modern. Love it for its fantastic, adventurous and solemn creations ... that enchant our spirit and enrapture our thoughts.True to his word, Gio Ponti loved architecture so much, he let design dictate every detail of his life, from the ceiling of his Milan apartment to the silverware he used during dinner parties. His prolific devotion to all things aesthetic make him an enduring icon of 20th century design.In a career spanning more than 50 y . . .
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Sourcing Textures
For a year after art school, Craig Spankie lived in a cabin in the wilds of New Zealands South Island. He found his rustic roost no windows, no electricity wholly inspiring: A builder since boyhood, he went to repair the roof only to find a peeling mass of material perfect for his art. So he carved out a chunk for use in one of his collages.A correction: To call Spankies work collages seems too tidy. Nor does mixed media suit. Spankie c . . .
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The Last Layer
The concept of layering is an inescapable reality of winter in the mountains. No one forgets to sport that last bit of warmth, be it a scarf, hat or gloves. But layering can be overlooked in interior design. In our experience, the last vital layer akin to a cashmere beanie is art and artful accessories. Art and thoughtful accessories such as memorabilia or treasures add the final element of personal expression to an otherwise eloquent interior. Artistic addition . . .
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