Guiding Light
We dont use the word perfect very often out of respect for the fact that few things are truly flawless. And yet perfect is precisely the word that comes to mind when considering the glass work of Carlo Moretti. Each piece produced by the studio's master glassmakerson the masterful island of Muranois flawless in form and execution, the embodiment of a seemingly impossible binarybold yet ethereal. Like the Ovale lamp: The handblown Murano-crystal base would be enough to win our hearts, and yet, th . . .
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In Context
Context is everything: Four years ago, we designed an exhibition for Sothebys auction of Edvard Munchs The Scream. Our dramatic staging funneled visitors attention through a long, narrow corridor into a charcoal alcove adorned only by the iconic work. The impactful presentation worked; the pastel one of four versions of the existential composition fetched $119.9 million at the ensuing Sothebys sale to become the most expensive artwork ever sold at auction at that time.Now, the same masterpiece . . .
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Iconic Grace
With heavy hearts, we mourn the passing of former First Lady Nancy Reagan, the influential wife of late President Ronald Reagan. In 2007, we had the honor of working with her on the design of her sartorial exhibition at the Ronald Reagan Presidential Library in Simi Valley, California, where Mrs. Reagan will be laid to rest beside her husband.Everyone involved with the exhibition and book project from her favorite fashion designer James Galanos to the talented creative team led by photographer . . .
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accoladen
This past weekend found us richly honored we received not one but two awards for excellence in interior design. The Southern Chapter of the Institute of Classical Art and Architecture rewarded a pair of Susan Ferriers interiors with their coveted Shutze Award. Both of the interiors, one residential and one from a corporate office, were held up by the esteemed judges as outstanding examples of classic elegance. We were thrilled to be in attendance at Atlantas Piedmont Driving club for the design . . .
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